Condenser vs Dynamic Microphones


Condenser Microphones


These are the most common microphones you’ll find in any recording studio you walk into. In many cases, you’ll find multiple condenser mics in recording studios (mostly for different recording applications).

Condenser mics have a really good frequency response and have the ability to reproduce sound accurately in its purest form.

Condenser mics can be pretty expensive depending on what brand you shop for but, thanks to the advancements in technology there is now a good mic in every price range.

Now in order to use these mics, you’ll need an additional piece of equipment known as phantom power. Phantom power is basically a power supply used to power your microphone (fair enough).

Some condenser mics come with phantom power boxes but if yours doesn’t don’t worry as phantom power also comes  built-in with your mixer, mic preamp, or audio interface.

While shopping for condenser mics you’ll run into 3 different types: USB Condenser Mics, Small Diaphragm & Large Diaphragm

– All capable of getting the job done


Large Diaphragm Condenser Mics


Large condensers are popular because they are good for vocals and any instrument where low tones are present. Another great thing about large condenser mics is they add a little warmth to the recordings.

Make sure you use a good pop filter when recording vocals because this mic is very sensitive to transients sounds (sometimes called plosives) such as P’s and B’s or any type of sound that puffs air forward. Without the pop filter, you will have horrible sounding recording sessions.

Here are a few large diaphragm mics I recommend: Rode N1-A, Behringer B2, Blue Spark, Studio Projects B3


Small Diaphragm Condenser Mics


These mics have a fast transient response (ability to reproduce little sounds) and are great for picking up details in recordings. In vocal recordings, this mic will pick up everything from lip-smacking of your lips to your tongue hitting the roof of your mouth and your teeth during a recording.

With stringed instruments, it’ll pick up great finger slides, accidental finger slides, light deck hits, and other natural random sounds. One downside to small condenser mics is their sensitivity to loud sounds. Too loud of a sound feed into condenser can ruin it.

Here are a few condenser mics I suggest: Shure SM57, Sterling Audio ST33, Oktava MK-012


Dynamic Microphones


Dynamic mics are built like tanks compared to condensers. You can throw them, drop them, throw them into traffic and they’d still work. The most popular dynamic mics are Shure’s SM58 and SM57 models and any band who’s touring has at least 5-6 of these bad boys with them at all times.

They are excellent all-around mics for both studio and live stage performances and shine when it comes to recording vocals as well as instruments.

The best thing about a dynamic mic is it doesn’t require any additional powering (unlike the condenser mic). Dynamic microphones do have a more limited frequency response compared to the condensers making them less likely to be overloaded by a loud sound and lastly, they are not as accurate when it comes to sound reproduction.

Keep in mind there are some dynamic mics that are better than others I was always like to go down to my local music store and try them out. They won’t allow you to test a mic out of the box but the mics on display are another story.

Here are some mics I’ve used and personally recommend: SM58, Audix OM5


Dynamic Or Condenser… Which One To Choose?


So now the big question is “which is the best microphone to choose for my recording studio?” In order to figure this out, you’re going to have to take what type of recording you’ll be doing into consideration. So with that said let us round up some of the facts to make it a much easier decision.

Recording Vocals – For vocal recording projects you’re going to want to use a large diaphragm condenser mic but remember they need phantom power. If you’d like an alternative that doesn’t require phantom power then consider going with a dynamic microphone or a USB condenser mic.

Recording String Instruments – As I’ve mentioned above small diaphragm condenser microphones shine because they are able to pick up a lot of detail from the source. You’ll want to make sure you go with a trusted brand when shopping for your main recording mic.

Here are a few small diaphragms I’ve used and are more than pleased with:

Recording Live Bass – This is a job for a large condenser mic because of its slower response time as well as its low-frequency reproduction which in turn gives warmth to recordings.

Recording Drum Sets – this can be done with 1-2 mics (a lot of people will argue against this) but for best results, you’ll want to use an assortment of dynamic and condenser mics.

I would suggest using dynamic mics for the kick drums since they can withstand louder sounds, small condenser mics for the overheads, and maybe something like an SM57 for recording the snares.


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9 thoughts on “Condenser vs Dynamic Microphones

  1. Hey Greg,

    How do you feel about USB mics? I have a laptop and I’d like to start recording vocals and USB looks very affordable what are some good usb mics out there (that you know of)

    1. Julio,

      I’m sorry I didn’t see this reply until Rich commented. There are a few good ones out there and better ones being built every few months.

      The usb mic’s that I have used (that i liked)are

      Audio Technicas (AT2020) and the MXL line. I would point you in the direction of the AT2020, but you will need a very quiet room to use it.

      If you’re on a budget I’d go with a cheap audiobox (presonus) and an AT2020 XLR condenser mic. It’s cheap, it’s quality. Not many mics fall into that category.

      But if you want a USB, I’d go with anything from Audio Technica

  2. This is a great guide to microphones, especially on the differences between the large and small diaphragm sizes. Great post.

    Julio – if you want to get decent vocal recording results, I’d avoid the USB mics. You would be much better off investing in an audio interface and a condenser XLR mic.

    1. Thanks Rich!

      I agree with the comment about avoiding USB mics. I’ve run into some really nice quality ones, but not very many. It’s better to go with the interface/condenser combo. Less of a headache quality wise as well

  3. I owm a rode m2 live condenser. I just want to know a fact that the response mentioned is 35 hz to 20 kHz.
    I am a baritone . I have heard that no one can sing or speak in the 20 hz or 50 hz range. If this is a fact then why this mic cannot respond to lower frequencies that efficiently like an ldc.
    If i use this as a side adress mic will it improve a bit. Overall its a great for live but in my small studio ( homehome setup) i use saffire 6 usb ad a mic pre and altec lensing multimedia speakers.
    My studio setup is not proper. I just close window s and record. i dont have airconditioning also.

    I want to know whether changing position of mic or source will help or should i change to ldc.



      1. Hi
        Just want to clear few doubts.

        If the specs say 20hz to 20 kHz and if the diaphragm is small will it be proper for a baritone singer or is it a fact that baritone singers should preferably use ldc’s only.

        If specs say 3 Polar patterns then is it so that the lower frequency response is best only in the Omni mode and if used in cardiod mode it ll give only clear sound.

        If the xlr mic cable is twisted while recording and the soldering is out is it possible that it will damage the capsule or fet.

        If you can clear these doubts i will be able to decide about buying a condenser mic.

        Thanks and regards


        1. Large diaphragm mics will pick up a fuller sound as opposed to a sdc

          “If specs say 3 Polar patterns then is it so that the lower frequency response is best only in the Omni mode and if used in cardiod mode it ll give only clear sound.”

          I don’t understand what you’re asking here. Mics with multiple patterns are around for versatility. Knowing which pattern is best for you depends on what you’re trying to capture from the source. If you want the direct sound from the artist or instrument, you’ll want the cardiod pattern. If you want to pick up a little more of the environment with the sound, then Omni would be a better choice

          “If the xlr mic cable is twisted while recording and the soldering is out is it possible that it will damage the capsule or fet.”

          Anything is possible

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